BOUND BY BLOOD
Read More
Global Tattoos Female - Cool Tattoos Pictures , Great Tattoo Designs of Tribal, Butterfly, Dragon, wings, zodiac, Dragonfly, Lower back,chinese,japanese, asian, dolphin, religious, sun,lion,animal, fairy, flower, floral, cherry blossom,star,cross, girls, gothic, jesus,hawaiian, skinhead, arm, foot, ankle, angel wings, 3d flash, body art,celtic, polynesian, heart, love, feminine tattoos gallery
|
|
|---|

"Why my tattoo? Is it a museum on my arm? Is it some kind of message from outerspace? Children run to me just to touch it: ask me what the words mean, what I'm trying to spell. There are no words, only water.
For many years, I had been thinking about getting matching tattoos of waves splashing up my calves to my knees, as if I were wading in the ocean, perpetually. I thought about the cost, I thought about how the tattoos would look with a miniskirt -- I realized that if I got them, I'd always want to be wearing jeans rolled up to my knees and salt-stained t-shirt. I can't carry seashells all the time in my pockets, I can't be brushing the sand out of my hair every five minutes. So I decided to take less of a plunge, enter the water one arm at a time. It started off quite slow. Are you sure you don't want a fish, the artist kept asking me as we mapped out my image on tracing paper. Everybody else gets a fish. Just water, I said, just waves. The tattoo was to celebrate --- some kind of new awakening, finally going back to grad school to get my PhD in Lit like I always wanted, finally believing I could achieve something more. The waves are Asian-inspired; many who see my arm mention Hokusai, but the water is not taken directly from him. I was thinking of Zen when I finally decided on these particular waves; I was thinking that if I could just be in the water, neither sinking nor floating above, if I could just be. Water has always suggested to me some kind of slower, purer imitation of our world, something more real and less sharp. Not just amniotic fluid, not just rain, but the color, the there-not there texture, the kiss of it."

"This tattoo dates from the end of the Clinton era, I'm thinking 1997, 1998. It can't be true, but getting a tattoo feels like the last unmotivated thing I did. No regrets, I just can't remember exactly what it was all about. You forget about it and then glimpse it in your steamed bathroom mirror and think, Oh. Uh....freedom, or something like that...not so much the word as the feeling, sort of a lovely, aimless, Saturday morning feeling you don't recall having had lately."If I may interject, I love hearing things like this, because I often ask people about their tattoos, and they dismiss them, "Oh, well, it doesn't mean anything," they often say, as if that somehow makes the tattoo less interesting. However, tattoos often symbolize times, places, memories, or feelings, and Mark is able to capture that perfectly in his explanation of the tattoo.
I was interested in medieval stuff at the time, especially medieval and Renaissance music, and found this griffin design in a book of Dover copyright-free medieval motifs. A very good artist at Dare Devil Tattoo drew it freehand for practice, referencing the book, then started on my arm and tattoo'd' it straight off. It hasn't faded much, as you can see. I remember I asked for red and yellow, outlined in black, and that's exactly what she gave me.Mark Nickels lives in New York City. His book Cicada was published by Rattapallax Press in 2000. He has won the Milton Dorfman Prize (1996), the Ann Stafford Prize from USC (2002) and been a finalist and semi-finalist at Lyric Recovery Festival (Carnegie Hall). He is a 2006 New York State Arts Foundation Fellow in fiction, and two poems from his 2o00 collection were recently selected for inclusion in the on-line archive of the Poetry Foundation (aka Poetry).



"That moment where 'the currents of the Universal Being circulate through me' is too important to forget. Rather than have the text tattooed, I went with this image--which is an adaptation of a caricature by Christopher Cranch of the transparent eyeball.


I was moved by the image. Beside Emerson, I was reading the Bhagavad-Gita and BashÅ. It seemed fitting to have the sky above 'the lover uncontained and immortal beauty' blend into the water at the base of a mountain that peaks at the shoulder.Like Adam's other work, this piece was done by Sunday Dawne-Marie at Lark Tattoo in Westbury, New York. Adam elaborates on the process:
"We decided that the simple line-art style make it seem less like art on the body, and more like art in the body. The red is a mixture of colors. I had just the red for about 3 years, and went back for the shading in late 2008--everyone would see it peeking out of a sleeve, and they thought I either cut myself, or had a scar from some kind of accident. When I came in and said 'I think we can use some shading. A little depth,' she said, 'That's what I told you 3 years ago.' So, it was two sittings, about 3 hours apiece. Because it's an uncommon style, I booked the last appointment of the day so she could take her time with it. I trust Sunday to no end with ink."Work from Lark Tattoo has appeared previously on Tattoosday here.
|
|
|
|---|

